Much more than suspense
More than anything else Reema
Kagtis’s Talaash is primarily a story of Mumbai’s
underbelly; a significant part of Mumbai which is treated as cursed and its
inhabitants mercilessly ignored. Co-writers Reema Kagti and Zoya Akhtar weave a
suspense drama in this dark, yet not dull side of Mumbai.
It all starts with a death of a
film star in a supposed car accident, doubted as a murder. Inspector Srujan
Shekhawat finds himself caught in this complex case which looks too simple on
its exterior. Simultaneously, Shekhawat struggles to face the loss of a loved
one and handling an almost broken marriage with Roshni(Rani Mukherjee). He
befriends Rosie(Kareena Kapoor), a sex worker, who appears very kind,
attractive and helpful to Shekhawat. She puts forward convenient clues at convenient
moments to Shekhawat to push him deeper into the case. The story is not just
about the murder in a red light area of Mumbai, it goes deeper into the
emotions of each character. By the end of it, you certainly sympathize with
every character’s journey in the story and may even identify with their
struggle if not the life.
Director Reema Kagti writes a
gripping screenplay such that even if the story flows slowly, you never really
get weary of it and lose interest. Talaash’s
biggest achievement is its crispy writing, tight screenplay and at times,
entertaining dialogues.Real characters, real locations and a dark bloomy
cinematography add to the effect.
Talaash benefits from a bang on
casting. Nawazuddin Siddiqui as
Taimur, a guy for the bad-jobs, ambitious to have a good life is mind blowing
and a highlight amongst the actors. Kareena Kapoor is decently good, but she
gets it too sophisticated some times. Rani Mukherjee is terrific as a
struggling wife. She gets into every bit of her character’s reality and doesn’t
shy away from having no make-up. Aamir Khan as a cop brings a lot of dignity to
his character. Watch him in scenes with Rani Mukherjee and you will realize the
depth he gets into his role.
Now coming down to what everyone
has been waiting for: The Answer. Being a suspense film, a grand revelation at
the end is apparent. The question is how has Talaash got it? Well, according to me, there can be a mixed
reaction among the audience. To me, purely as a movie watcher, the revelation didn’t
totally appeal. After having invested so much of my concentration in the movie,
I didn’t totally get what I wanted to. Well, surprises make a suspense story better,
but this ‘not really surprising
revelation’ wasn’t as pleasant. Towards the end, I kept hoping the writers
would come up with yet another twist that could be acceptable to me, but they didn’t.
Having said that, this is an individual reaction, and I cannot challenge it. But
do not expect it to deliver a Kahani level
revelation, you could come out disappointed.
Talaash qualifies as a very good film, but certainly not a
spectacular one.
I am going with a 3 out of 5 for Reema Kagtis’s Talaash, watch it for
the film it is, and not just to get the answer to the question, and you wouldn’t
be disappointed.
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